The Wake is the title of a large-scale multimedia project, the main element of which is an eight-hour long silent movie. The film is based on Finnegans Wake by James Joyce (London 1939), a limit-transgressing, perhaps even limit-dissolving book that not only transgresses the limits of what literature is and is capable of, but inscribes transgressions on almost all conceivable levels. It is at the same time dream book, history book and necrology. It is almost impossible to determine whether we are dealing with a long poem, a prose narrative or a piece of drama.

Over there, in his village at the foot of the mountains, he’s dead. His face radiant and his body at peace, he lies on the bed. Then they can gather around him. Three days long they talk, drink, weep, fight and remember… And they smile, too.

Following the death of his father, an emotionally deflective son's attempt to return home and reconnect with his mother is strained when she reveals that she has seen a giant sea monster carcass on the beach.

Three men grieve the loss of their best friend over the course of a tumultuous weekend; their mishaps, witnessed by a young, female, film student whose thesis project both captures and manipulates their uncertain journey.

Rebellious Walter drags his reluctant brother to rob the homes of the dead while their wake takes place at their parent’s funeral home.

柏林电影节论坛拓展

Salim comes to grieve beside his mother’s dead body. But very quickly, between religious customs he doesn’t understand and the constant comings and goings of people he doesn’t know, the young man feels uncomfortable in the small family apartment.

A group of friends attend the wake of a child they accidentally killed with their car. Once at the wake, they find themselves trapped and stalked by a masked assailant.

Alone after her mother's funeral, Frances relives the tangle of emotions between her husband, her mother and herself.

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